August 2007


Thanks to Rollerboy at Awards Daily for linking to the poster.

This new film by David Cronenberg looks VERY promising.

Also, check out the soundtrack preview over at Soundtrack Net, Howard Shore’s score seems to have a haunting, melancholy quality that could make it a major year end Oscar contender.

Here we go again?

I’m almost ashamed to say that I actually want to see this. The last one wasn’t great, but it was reasonably entertaining trash. Maybe it’s just because Helen Mirren is in it. Or at least that’s how I’ll justify it to myself.

I must say I had high hopes for this one, because it is directed by Stranger than Fiction scribe and promising new talent, Zach Helm, features Dustin Hoffman in an eccentric role, and has a musical score composed by Alexandre Desplat. Alas, Desplat has left the project (but he has left it in capable hands, Patrick Doyle [Harry Potter and the Goblet of Fire] was hired to take his place) due to scheduling conflicts (he’s also composing the scores to Ang Lee’s Lust, Caution and the children’s fantasy epic The Golden Compass), and from the looks of this trailer, the film is going to be almost panderingly childish.

I hope I’m wrong, but this isn’t promising:

Ulrich Mühe (pictured above), the star of Florian Henckel von Donnersmarck’s masterful Oscar winner The Lives of Others (still by far the best film I have seen this year), died suddenly of stomach cancer on July 22nd at age 54. Recently, Entertainment Weekly sat down with Von Donnersmarck to discuss Mühe’s extraordinary performance:

ENTERTAINMENT WEEKLY: Looking at Mühe’s other films, like Costra-Gavras’ Amen (about Pope Pius XII’s relationship with the Nazis during WWII) and your film, it seemed like the actor favored movies that made large political statements.
FLORIAN HENCKEL VON DONNERSMARCK: He said that the role of art is not just to leave people at peace, it’s really to get them to think and to feel and to realize what an exciting thing life is.

The Lives of Others was your first film. How did a relatively unknown director like you get Mühe (a vet who’d also done movies for Michael Haneke) to join the cast?
Well, the thing is, he really liked my screenplay. He interviewed me for several hours to see if I was up to directing my own script! How much I knew about all the details of the GDR [German Democratic Republic]. So he actually took out his own Stasi files that he had claimed and put them in front of him.

When did you know that he’d take the role?
He asked me, ”Okay, you’ve written a screenplay where this person is in an attic for the duration of two hours and he’s moved all the time by everything he hears — how do you act that?” I said to him, ”I don’t think you act it at all.” And then he said, ”Okay, I’ll do it.”

Click here to read the full interview.

I recently participated in a poll of movie bloggers from Daily Film Dose to create a list of the 100 greatest American films as an answer to the much contested AFI list. Here is my ballot,in chronological order, and while I probably overlooked a few films, I think it’s pretty complete. Bear in mind these are just American films, so there are a lot of great foreign films that were ineligible.

  1. The Birth Of A Nation
  2. Intolerance
  3. All Quiet On The Western Front
  4. Dracula
  5. Frankenstein
  6. Freaks
  7. Footlight Parade
  8. King Kong
  9. Modern Times
  10. Bringing Up Baby
  11. Destry Rides Again
  12. Gone With The Wind
  13. Mr. Smith Goes To Washington
  14. The Wizard Of Oz
  15. Rebecca
  16. Citizen Kane
  17. Sullivan’s Travels
  18. Casablanca
  19. Mildred Pierce
  20. It’s A Wonderful Life
  21. Sunset Boulevard
  22. Ace In The Hole
  23. Singin’ In The Rain
  24. From Here To Eternity
  25. Shane
  26. Rear Window
  27. All That Heaven Allows
  28. The Night Of The Hunter
  29. The Searchers
  30. Sleeping Beauty
  31. Psycho
  32. The Longest Day
  33. The Manchurian Candidate
  34. To Kill A Mockingbird
  35. The Birds
  36. The Great Escape
  37. Dr. Strangelove: Or How I Learned To Stop Worrying And Love The Bomb
  38. Mary Poppins
  39. The Sound Of Music
  40. Cool Hand Luke
  41. The Graduate
  42. 2001: A Space Odyssey
  43. Midnight Cowboy
  44. Little Big Man
  45. M*A*S*H*
  46. Patton
  47. A Clockwork Orange
  48. Cabaret
  49. The Godfather
  50. The Exorcist
  51. Last Tango In Paris
  52. Young Frankenstein
  53. Jaws
  54. One Flew Over The Cuckoo’s Nest
  55. All The President’s Men
  56. Network
  57. Taxi Driver
  58. Close Encounters Of The Third Kind
  59. Killer of Sheep
  60. Star Wars
  61. The Deer Hunter
  62. Halloween
  63. Alien
  64. Apocalypse Now
  65. The Empire Strikes Back
  66. The Shining
  67. E.T. The Extra-Terrestrial
  68. Sophie’s Choice
  69. Amadeus
  70. Blue Velvet
  71. Platoon
  72. The Untouchables
  73. Rain Man
  74. Batman
  75. Dances With Wolves
  76. Goodfellas
  77. The Silence Of The Lambs
  78. Unforgiven
  79. Jurassic Park
  80. Schindler’s List
  81. Pulp Fiction
  82. Braveheart
  83. Titanic
  84. Saving Private Ryan
  85. American Beauty
  86. The Sixth Sense
  87. Gladiator
  88. Gosford Park
  89. The Lord Of The Rings: The Fellowship Of The Ring
  90. Moulin Rouge
  91. Mulholland Drive
  92. The Hours
  93. The Lord Of The Rings: The Two Towers
  94. The Pianist
  95. The Lord Of The Rings: The Return Of The King
  96. Brokeback Mountain
  97. Good Night, And Good Luck.
  98. Munich
  99. Children of Men
  100. Flags of Our Fathers

Weekend box office estimates:

1. Superbad – $18,000,000
2. The Bourne Ultimatum – $12,361,000
3. Rush Hour 3 – $12,250,000
4. Mr. Bean’s Holiday – $10,121,000
5. WAR – $10,000,000
6. The Nanny Diaries – $7,811,000
7. The Simpsons Movie – $4,400,000
8. Stardust – $3,954,000
9. Hairspray (2007) – $3,450,000
10. The Invasion – $3,140,000

Source: Box Office Mojo

The dorky teenagers of Superbad conquered the weekend box office once again, while international hit Mr. Bean’s Holiday wasn’t as big as it was overseas, despite being the top opener of the weekend, topping out at #4, leading other debuts WAR and The Nanny Diaries at #5 and #6 respectively.

This looks amazing…and potentially incendiary. Look for some controversy to swell up around this one when it comes out.

Is it just me, or does this trailer give away way too much?

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